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Day of the Dead Folk Art
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The folk art inspired by Day of the Dead, celebrated in Mexico and around the world, including the American Southwest, powerfully communicates the cultural traditions of this joyous holiday.
Calavera Abecedario
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Every year Don Pedro and his family make papier-mâché skeletons, or calaveras, for Mexico's Day of the Dead fiesta. Come dance with them! Includes a glossary of Spanish words and an author's note.
Day of the Dead in the USA
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Honoring relatives by tending graves, building altars, and cooking festive meals has been an honored tradition among Latin Americans for centuries. The tribute, "el Dia de los Muertos," has enjoyed renewed popularity since the 1970s when Latino activists and artists in the United States began expanding "Day of the Dead" north of the border with celebrations of performance art, Aztec danza, art exhibits, and other public expressions.
Day of the Dead
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Easy-to-read text paired with colorful photos and informative captions introduces readers to a cultural holiday, Day of the Dead. Readers will learn about the origin of the holiday and its Aztec roots.
Daniela's Day of the Dead
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Daniela is preparing for the Day of the Dead--the first one since her grandpa died. She makes an ofrenda with Grandpa's favorite things and toy skeletons. Her family has a party to remember Grandpa.
Days of Death, Days of Life
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Kristin Norget explores the practice and meanings of death rituals in poor urban neighborhoods on the outskirts of the southern Mexican city of Oaxaca. Drawing on her extensive fieldwork in Oaxaca City, Norget provides vivid descriptions of the Day of the Dead and other popular religious practices. She analyzes how the rites and beliefs associated with death shape and reflect poor Oaxacans' values and social identity.
Of Corpse: Death and Humor in Folkore and Popular Culture
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Laughter, contemporary theory suggests, is often aggressive in some manner and may be prompted by a sudden perception of incongruity combined with memories of past emotional experience. Given this importance of the past to our recognition of the comic, it follows that some "traditions" dispose us to ludic responses. The studies in Of Corpse: Death and Humor in Folklore and Popular Culture examine specific interactions of text (jokes, poetry, epitaphs, iconography, film drama) and social context (wakes, festivals, disasters) that shape and generate laughter. Uniquely, however, the essays here peruse a remarkable paradox---the convergence of death and humor.
Read about past events on the JKM Library blog.
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